Timeless: Blues Image Featuring Mike Pinera (CD) By Mike Pinera

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Blues Image, Mike Pinera, Ride Captain Ride

Blues Image Featuring Mike Pinera: Timeless

Mike Pinera and Blues Image

Purple Pyramid Records 2017

Review by David Bowling

 

Not quite what I expected. Blue Image, with and without singer/guitarist Mike Pinera, was an under rated rock/blues band 1966-1970, who released three studio albums that are still worth tracking down. The commercial peak of their career was the hit single “Ride Captain Ride.” Pinera were on to become a member of Iron Butterfly, The New Cactus Band, and enjoy a long solo career, which is where these albums problems begin.

Pinera covered a lot of Blues Image and Iron Butterfly material during his solo career. Much of it is solid rock and roll but it appears here under the Blues Image moniker, which is a tad misleading. There are no other members of Blues Image listed in the credits. If you want a primer or over view of his solo career, then this is a good album to explore.  If you want to explore Blues Image or Iron Butterfly material, then look elsewhere.

“Ride Captain Ride,” “Love Is The Answer” with guest Jonathan Cain, and “Pay My Dues” with Pat Travers are songs that appeared on the second Blues Image album Open. Here they are modernized versions of the songs. Travers adds a little edge to”Pay My Dues” but moves it toward hard rock and away from its original blues foundation.

His time with Iron Butterfly is represented by “In A Gadda Da Vidda,” which is just too modern and “Butterfly Blue,” which is saved by Pat Travers.

Four tracks are taken from his 1996 solo album In The Garden Of Eden” and 2012’s Isla. “Fantasy Of Love,” and the two title tracks are competent but do not rise above that level.

Timeless: Blues Image Featuring Mike Pinera is a disappointing release that in and of itself, never rises above the ordinary. It also make one yearn for what it could have been.

 

Rating: **

 

The Beach Boys 67: Sunshine Tomorrow (2-CD) By The Beach Boys

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Beach Boys, Beach Boys 67, Sunshine Tomorrow

The Beach Boys 67: Sunshine Tomorrow

Beach Boys

Capital 2017

Review by David Bowling

 

The endless summer of the Beach Boys has reached the 55 year mark. Created in 1962, it still beckons, several generations now, to a life that is just beyond the horizon.

The Beach Boys 67: Sunshine Tomorrow is the latest entry into the bands lexicon of music. It is a album for Beach Boys devotees as it gather studio tracks, alternate versions of songs, live performances, rehearsals, and a few oddities from 1967. The two CD contain a generous 67 tracks. It is not an album you may want to pop in the car stereo while driving down the highway but it does fill in a lot of gaps in the their musical journey.

The center piece of the release is a stereo mix of the Wild Honey album. Re-mixing an album in stereo can be tricky, especially given the age of the original tapes, but here the channels are just about perfectly balanced.

I have always found Wild Honey to be more interesting than enjoyable. Brian Wilson was moving away from their sunshine pop material. Wild Honey is about as experimental as he would ever get and as such it is a unique album in their catalogue. The band would quickly reverse direction and settle into a rock/pop hybrid sound. Still, Wild Honey is worth the journey and in many ways fares better in the musical world of today.

The album is populated by a number of interesting inclusions. There are live versions of “Wild Honey” and Country Air” from a November, 1967, concert. It is interesting to hear the band tackle technically difficult material. When the Beach Boys sing hit songs by other artists, they rarely get them right, but they do provide a unique perspective. “Game Of Love,” “The Letter,” and “With A Little Help From My Friends” add little to their legacy but find them covering songs like thousands of American bands.

Other highlights include an A Capella version of “Surfer Girl,” a rehearsal of “Heroes And Villains,” plus the 1967 version of “Surf’s Up.”

Whether or not you want to acquire this release will depend upon how invested you are in the Beach Boys. If you need everything by the band, then The Beach Boys 67: Sunshine Tomorrow is a treasure trove. If you just want to experience the eternal summer, then any of their compilation albums will do just fine.

Rating: ****

Arthur Alexander (CD Reissue) By Arthur Alexander

Arthur Alexander (CD Reissue)

Arthur Alexander

Omnivore 2017

Review by David Bowling

 

Arthur Alexander, (1940-1993), is one of those artists that you have heard but may not know much about. He is best known as a song writer. His compositions have been recorded by the elite of the music industry including Bob Dylan, The Beatles, The Rolling Stones, Bee Gees, Otis Redding, Pearl Jam, Dusty Springfield, and a host of others.

He only released three studio albums during his 30 plus year career but those releases made him a pioneer of the soul-country style of music. His best known recorded song, “You Better Move On” has been recorded and sung by countless country artists.

Omnivore has now resurrected his second self-titled 1972 album. It arrives with a crystal clear sound, new liner notes by Dr. Demento, and six bonus tracks, two of which are being released for the first time.

The album was recorded in Nashville, which helped fuse his soulful approach with country music. Backed by some of Nashville’s elite musicians, he helped found a new music form.

The best know song is “Burning Love” by Dennis Linde, which was written especially for him. His countrified version was quickly covered by Elvis Presley and became the last top ten hit of his career. His own gospel oriented “Thank God He Came” and Dann Penn’s “Rainbow Road” are emotional peak of the album.

The album quickly disappeared due to the changing musical landscape and it not really finding a niche. Four and a-half decades later it fares better as a gentle exploration of an under appreciated style. It is a fitting epitaph to a forgotten artist whose music helped shape his era.

Rating: ***