Live In 1967 – Volume Two
John Mayall’s Bluesbreakers
Forty Below 2016
Review by David Bowling
This is the follow-up release to Volume one, which was issued a little over a year ago. It may not be as overall strong as that first release but it still does a very credible job in capturing one of John Mayall’s classic line-ups.
Not many albums begin with a fan but back in 1967, a super-fan named Tom Huissen, took his one channel tape recorder to a number of London clubs and recorded Mayal, Peter Green, Mick Fleetwood, and John McVie, who would soon leave Mayall and form the original Fleetwood Mac. Over forty years later, Mayall obtained the tapes and two live albums were born.
The music was originally recorded on a one track recorder, so even with modern technology, the sound is only adequate. Green’s guitar dominates the sound with Mayall’s harp a close second. The rhythm section of Fleetwood and McVie tend to fade into the background at times. Still, the talent of the band, and particularly Green, manage to shine through.
The 8 minutes plus “So Many Roads” and the instrumental “Greeny” show why Peter Green is considered on the better guitarists of the last half-century. Mayall cranks up his harp on Sonny Boy Williamson’s “Your Funeral and My Trail.” The 7 minute “Tears In My Eyes” is a slow blues ballad and remains one of Mayall’s better original compositions.
A very interesting track is “Stormy Monday,” on which Ronnie Jones of Blues Incorporated sits in and provides the vocal.
This incarnation of Mayall’s Bluesbreakers quickly fell apart, which makes these never before issued tracks a historical treasure. The 70 minutes of music, sound aside, is what British blues were all about.